THE BLOG ©     


Above:  Photographer Frank Gifford with AMERICA (SOLARIZED)

All images below appear full-size in one or more galleries.  Photography is discussed in the Tech section.  Permission is granted to link.  

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                       HORSES & RIDERS (Rt 66 nr Bristow OK)



If you're just surfing--welcome!  You're about to explore and celebrate the American experience in images from Route 66 and many other places.

This is the largest site of its kind, with unique fine art photographs and photo-based artwork viewed in 100+ countries. 

The overarching theme is America--past and present--along historic transportation arteries including Rt 66, the National (Cumberland) Road, Lincoln Highway, Erie Canal, Natchez Trace, Pony Express route and historic rail sites.  There are also galleries for twenty cities including Denver, Memphis, Natchez, New York and Santa Fe.  

Other images capture American life in out-of-the-way places. 

Looking is free at full-screen size and there's even a slideshow mode.  Most photographs are available for sale or licensing and ordering is secure.  We don't require registration, use pop-ups, send spam, or make you squint at a stamp-sized image.  Everything is here, there is no social media component.

While 99.99% of the site is suitable for children, a few images feature alternate lifestyles, obscene gestures, partial nudity, beggars, public drunkenness etc.  Most are from New York, but a few were taken elsewhere.  I believe these photographs are compelling and may offer teachable moments.  

For a refreshing break, check out the Fun!© section and test your new-found knowledge.   

There's lots to see and enjoy, and you can take your time.  So...Happy Trails and Happy Motoring!

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TUCKER AND PHOTOGRAPHER (Lincoln Highway Kearney NE)



Everything on is first captured on a camera, as this man in a moving Tucker demonstrates.  (Although I much prefer my vantage point!)

Images are offered exclusively here as fine art photographs, or given an artistic treatment such as oil painting, watercolor...or even fresco.


BLUR ON 66 #28 (Rt 66 San Bernardino CA)



Various types of archival-quality prints are offered.  The photographs are real, not inkjets, on your choice of high-quality stock, up to 24 x 36-inches, from America's largest professional photography lab.  There are also canvas wraps, metal prints, glass prints, standouts, wall clings and personal merchandise.

The "Shopping Cart" is encrypted and secure.  Non-US orders are welcomed and may be handled by pro-lab partners in Canada, Europe or Australia.  

We never run sales or offer coupons etc.  The intrusive copyright symbol and website logo do not appear on prints or merchandise.

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Wherever you are and whatever you celebrate, here's a generic holiday wish...and an image from Nevada to go with it.  In a sudden snowstorm, a lone vehicle carefully negotiates a mountain pass along the Pony Express trail that later became the Lincoln Highway:


JUNE 12-DAWN (Lincoln Highway Schellbourne Pass NV)JUNE 12-DAWN (Lincoln Highway Schellbourne Pass NV)Late-season snow hits as a vehicle comes down toward US 93. A few hours later there was no evidence of the storm.

This section of the Lincoln Highway is dirt and gravel. In a more primitive form it served the Pony Express in 1860-61.



This was near dawn while waiting for Pony Express Re-Riders to appear.  And while a snowy scene this time of year might appear skewed toward the Northern Hemisphere, it's actually all-inclusive.  The image was taken on June 12th, as Winter was approaching in the Southern Hemisphere.

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.  Custom Phone Cases have been added, allowing personalization of your Apple iPhone or Samsung Galaxy.  Three styles are available.  Because of dimensions, some images work well but others don't.  See the Photo Gifts Products section to order.

.  The Natchez Trace is featured in a new gallery showing today's Parkway, the nearby traces (paths) that saw peak usage from 1790-1820, and neighboring cities of AL MS and TN. 

.  Cities at both ends of the Natchez Trace, Natchez MS and Nashville TN, have new galleries as well.  

.  A Lincoln Highway Sampler Trip has been added with three images per state.

.  The Pony Express has a new gallery sampling the route from St Joseph MO to Sacramento CA.  

.  The Loneliest Road (US 50) across Nevada now has its own gallery with 200+ images.  

.  A city gallery has been established for Reno.

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      DUNKLE'S GULF #2 (Lincoln Highway Bedford PA)DUNKLE'S GULF #2 (Lincoln Highway Bedford PA)The station reflects off polished metal of a gasoline pump before dawn. The ghostly Gulf street sign is reflected twice--off the center of the station window, then the pump. The illuminated clock is inside the building. And the moon appears left of the pump's lock cover.



The current mega-project is America's first coast-to-coast road, the 3143-mile Lincoln Highway (New York to San Francisco).  Photography, begun at the Centennial in 2013, is perhaps 95% complete.  On-scene work has been done from New York City to Sacramento CA.  The emphasis is on fresh and the famous 1933 Dunkle Gulf Station in Bedford PA reflected off a gasoline pump.  I plan to have everything completed in 2018.

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WHERE THE ROAD BEGAN #2 (National Road Cumberland MD)WHERE THE ROAD BEGAN #2 (National Road Cumberland MD)The view is west at sunset. The plaque is in a small park next to a stone monument.

An artistic effect has been added.



This site attracts a very high proportion of non-US viewers, so here's a quick summary of major roads and transportation corridors in chronological order.  

The story of American mobility is basically a giant arrow pointing west from original Anglo settlements along the Atlantic Ocean.  At first, only crude paths or trails existed.  The nearby Appalachians were the first mountain barrier.  Then came vast distances, but also long largely-navigable rivers (Ohio, Mississippi, Missouri) before the towering Rocky Mountains, the Great Basin, and then the Sierras leading into what is now CA.

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NATIONAL (Cumberland) ROAD:  Begun on the edge of Cumberland MD (image above) in 1811, this was the first Federal road-building project.  It conformed to the land but had grading, bridges, ditches and a stone-covered surface.  The key Appalachian section stretched from this intersection 131 miles (210 km) west to Wheeling VA (now WV) by 1818.  Many pioneers then went down the Ohio River to settle the Midwest.

The National Road was gradually extended across OH and IN to IL.  Control later passed to the states and the road entered a long decline since most travel in the late-1800s was by train.  Today, US 40 and I-70 are roughly parallel the entire distance.

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NATCHEZ TRACE:  A dirt trail first used by Native Americans and animals, it runs 444 miles (710 km) from Natchez MS to near Nashville TN.  Peak usage was northbound from 1790-1820.  Ohio Valley settlers returned home after floating rafts of farm products down to Natchez or New Orleans LA.  Despite attempts to improve the Trace, many sections became badly eroded and sunken.  It was largely abandoned when new steamboats made the return trip much faster and cheaper.  A blacktop two-lane Parkway, begun in 1937, now parallels the ancient Trace (an archaic term for "trail" or "path").

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ERIE CANAL:  NY built this alone after Federal funding was rejected.  It runs 363 miles (580 km) from Albany westward to Buffalo.  It also links New York City and the Hudson River with the Great Lakes.  Begun in 1817, the canal opened in 1825.  It created an agricultural and industrial boom by lowering transportation costs more than 90%.  It also boosted settlement and development of upstate NY and the Midwest, and cemented New York City's role in trade.

Freezing temperatures forced the Erie Canal to close and be partially drained to avert ice damage.  The operating season during the peak years was generally only 7-8 months--late April to late November.

Other canals helped development and commerce, and some were profitable, but the Erie was the only major US canal to be a resounding success.  Modernized and altered several times, it remains in use largely for summer recreational traffic.  Railroads (discussed below) largely ended the Canal Era.

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RAILROADS:  Experiments began around 1830 using steam engines bolted to wagons running on wooden or iron tracks.  Within decades, all major cities in the Northeast and Midwest were linked by a rail system, providing both long and short-distance passenger and freight service.

Railroads posed tremendous competition for canals.  While the Erie Canal, for example, endured a routine 4-5 month shutdown because of ice, the nearby New York Central Railroad plowed out after snowstorms and operated with only occasional delays. 

The Transcontinental Railroad went into service in 1869, ending heavy use of pioneer wagon trails and shortening the trip from months to days.

A great deal of speculative overbuilding, linking little towns, occurred in the 1880s.  Modern diesel-electric equipment began replacing coal and oil-fired steam locomotives beginning in the 1930s and accelerating after World War II.  Steam was essentially gone by 1960, except on "tourist" railroads.

Railroads endured a long financial decline, with competition from roads and then airlines, from 1920 to 1980.  Passenger service became unprofitable, was reduced, and then restructured under Amtrak.  Eventually, regulators permitted widespread mergers and pulling-up unnecessary tracks.

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PONY EXPRESS:  This vanished leaving almost no trace on the land--and only a few crude structures.  It was the last gasp of old communications technology: fast horses.  The Pony was a demonstration project by the freight-hauling firm Russell Majors and Waddell.  It operated during 1860-61 over nearly 2000 miles (3200 km) from the end of railroad tracks and telegraph wires in St. Joseph MO to Sacramento CA.  

Throughout its run, telegraph poles and wires were put up alongside, gradually closing the MO-CA gap.  Just 19-months after it began, the Pony was obsolete and out of business.  The service was expensive to run and backers suffered huge losses.  But it helped keep CA in the Union at the start of the Civil War. 

Logistical techniques used in building the telegraph line would be copied a few years later for the Transcontinental Railroad over much of the same territory.

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LINCOLN HIGHWAY:  A volunteer effort of 1913-26, this was the most important of many "named" early automobile roads.  It ran 3400 miles (5450 km) from New York NY to San Francisco CA.  Boosters published guidebooks and maps, and marked the route with signs on poles, trees etc. 

In cities of that era, streets might be paved with brick, wooden blocks, cobblestones, or gravel.  But because most long-distance travel was by train, typical roads were muddy tracks in the Midwest, or unmarked old wagon trails in the West.  At first, the Lincoln Highway was no better, and it was passable only in dry weather during warm months.  But backers, many in the auto industry, also paid for "seedling miles" of concrete paving, sparking widespread public attention and goading states into road construction--just as automobile ownership was taking off. 

Lincoln Highway conditions improved tremendously during the 13-year period, with at least bridges and maintenance on remote dirt stretches.  Hard-surfaced paving wasn't completed over the entire route until the 1930s, when it was part of US 30, 40 and 50 etc.

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ROUTE 66:  A product of the "numbered' highway era that began in 1926, this ran 2450 miles (3950 km) from Chicago IL to the Pacific Ocean just beyond Los Angeles CA.  Its fame came in the 1930s when it became the escape corridor for people in OK and nearby states fleeing combined effects of the Great Depression and Dust Bowl for a better life (real or imagined) in CA.  The road's current popularity centers on a real (and imagined) American "Golden Era" of the 1950s, just before Interstate highways.  (Further thoughts are in Blog entries below.)

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LONELIEST ROAD:  This is a modern marketing term for US 50 across remote central NV.  "Loneliest" is an exaggeration, but the two-lane blacktop road is wide-open with little towns an hour apart.  The gallery includes both US 50 and an earlier version, NV Hwy 722, forming an interesting loop.  This was also the Pony Express route and the unpaved Lincoln Highway of 1913-26.

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SPRING SUNRISE (National Road Blaine OH)SPRING SUNRISE (National Road Blaine OH)This is one of the loveliest infrastructure scenes in North America. The view is approximately east toward Wheeling WV in early May. In the foreground is the restored 1828 Blaine S-Bridge on the National Road. Dramatic arches in back are from 1933, early in the numbered highway era, and carry US 40 up Blaine Hill.



.  This image shows what a difference a century can make.  The Blaine OH National Road S-bridge in the foreground (restored and open to pedestrians) is from 1828.  The reinforced concrete arches in the background carry US 40 up a steep hill and date from 1933.  During that interval we went from wooden wagons pulled by oxen over dirt, mud, stone or brick, to steel automobiles pulled by gasoline engines over concrete and asphalt.  And what had been a full day's travel was reduced to half-an-hour.

Here are a few other examples of progress:

.  Pioneer Ezra Meeker (1830-1928) walked alongside an ox-drawn wagon on the 2000 mile (3200 km) Oregon Trail in 1852.  He drove a car along it in 1915 and flew above it in 1924.  His speed went from 2 to 100 MPH.

.  In 1846 the Donner Party got a late start, bad directions and became lost as they walked alongside wagons from IL to CA.  Then they were trapped all winter below a snow-clogged CA mountain pass.  Some members died of starvation...or resorted to cannibalism.  But just a generation (23 years) later, they could have bought train tickets and gone from IL to CA in relative speed, safety and comfort.  And infant Isabella Breen lived until 1935, the era of airline service.

.  In 1861 Pony Express riders could have sent telegrams, spanning the long lonely 2000 miles (3200 km) in minutes, even as the service was delivering its final letters, which normally took 10-days.  A couple of riders could have sent Air Mail letters in their lifetimes--service began in 1918.  Transcontinental phone calls were possible by then too. 

.  Some Model-T drivers on the primitive, largely unpaved Lincoln Highway of @1915 lived to travel the modern Interstates beginning in the 1950s.

But now consider the cost of progress:

.  When undocumented aliens in the form of Anglo settlers (including my ancestors) first turned up, there were perhaps 15 million Native Americans already on the soil.  Many in the East and most in the South were largely communal farmers with strong attachments to their land.  In the West, Natives had familiar hunting grounds over largely open terrain.  But all were generally regarded as savages, obstacles in the way of Manifest Destiny, the God-given right of Protestant settlers (Catholics and others arrived later) to control, subdivide and populate the continent.  And so, the Natives were forced out or killed in the name of "progress."

.  Cities rose and many fell along with their transportation corridors.  Buffalo NY, Wheeling WV and Natchez MS (along with many others) peaked in importance during the 1800s then plunged.  Some bypassed places, like Depew OK along Route 66, never recovered--although the road did just fine.  Others, like Madison IN, languished for a century then came back better than before.  (Many have separate photo galleries here.)

.  Automobiles and paved roads made travel easier and faster early in the 20th century.  But thousands of mom-and-pop crossroads stores went out of business because local folks suddenly had more choices.  Little rural stores could not compete on price or selection with big new "chain" stores in newly-accessible cities.  Often entire towns suffered from the gravitational pull of a larger place that had everything--including cafes and a movie theater. 

.  Urban neighborhoods were severed, some were bulldozed, under the promise of slum clearance or "Urban Renewal" often in conjunction with Interstate highway projects.  Some recovered, some did not, and some slums (like Larimer Square in Denver) came back and flourished on their own.

To sum up, here's what a difference two centuries can make:

HISTORY OF TRANSPORTATION (National Road nr Grantsville MD)HISTORY OF TRANSPORTATION (National Road nr Grantsville MD)Three centuries of American roadbuilding are visible here. The image is taken from an 1813 stone bridge still in excellent shape. It handled National Road (later US 40) traffic until 1933 when the steel truss bridge shown in the middle was opened.

In the 1970s came Interstate-68 shown in the far distance with a white truck heading westward on a modern steel I-beam bridge.



The view is from a restored 1813 stone arch bridge (fully shown in other images) over a stream once envisioned for a canal.  It was part of the National (Cumberland) Road near Grantsville MD and is open to pedestrians.  In the center, the narrow two-lane US 40 steel truss bridge is from 1933 and still in use (for US 40-Alt).  In the distance a white 18-wheel semi truck heads west on four-lane I-68, crossing a steel I-beam bridge with a reinforced concrete deck.  

To my knowledge, this is the only spot in the country offering such a view.  

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I'm a preservationist the same way I'm a pedestrian--both labels are technically accurate from time to time but don't really define me.  Interesting photography is the overriding goal here, and almost always this requires being on foot.

Walking downtown street grids with a camera gives me new optimism about American cities.

Three places linked by the Ohio River--Wheeling WV, Madison IN and Cairo IL--form an extreme study in contrasts.  They offer lessons in how to succeed, how to fail, and how to hold on.  (All have separate city image galleries.)



BOWERS HOTEL (National Road Wheeling WV)BOWERS HOTEL (National Road Wheeling WV)The lone occupant is captured in mid-flight with its shadow on the steep roof.



Wheeling seems to be muddling through a very long downturn.  The city peaked in importance between 1820-50 and retains some of its former charm.  There's gentrification in spots and despite extensive gaps downtown many historic buildings remain in various stages of upkeep.  Wheeling is definitely worn, but not worn out.

The waterfront includes a pleasant park, concert venue and walking path under an iconic bridge.  And I found relatively little graffiti or vandalism.

The location has always been picturesque, but troublesome.  Downtown and other areas along the river are subject to flooding, while steep hills (mountains to some) constrain growth. 

Wheeling was the original 1818 terminus of the National (Cumberland) Road.  By 1849 a suspension bridge stretched across the Ohio River, and the National Road continued into the Midwest.  Eventually it all became part of US 40. 

A century later I-70 plowed through downtown Wheeling, followed by I-470 on the south, with 13 local interchanges in total.

Yet with all these assets, the population is down more than 50% in a century.  Wheeling has fewer people today than in 1880.  The once-big local industries of steel, iron, stogies (cigars) and chewing tobacco are mostly or entirely vanquished.

In a way, Wheeling has a number of Sister Cities downriver.  When early National Road travelers reached Wheeling, frequently their next trip segment was by raft or boat propelled by the Ohio River's current.  Madison IN (halfway between Cincinnati and Louisville) was a major jumping-off point.



URBAN SCENE #31 (Madison IN)URBAN SCENE #31 (Madison IN)Saturday in July.



Founded in 1809, Madison is seven-years older than the state of Indiana and was once its largest city.  It peaked in the Steamboat Era with an industrial waterfront that included slaughterhouses and a glue factory.  Since it's surrounded by hills, it must have been one stinky place! 

A lengthy period of stagnation and flooding erased Madison's unpleasant past, but preserved the old downtown.  Going there today is like time-travel to a century ago.  133 contiguous blocks are on the National Register.  And yet there are "real" businesses downtown including Subway and Dollar General...along with an independent bookstore (cat included), scented soap purveyors and sidewalk cafes.

Madison has built on its good luck.  No parking meters exist, and the city has restored and enlarged a classic mid-century Main Street gas station for public restrooms.  Wonderful ideas, both.  They should be shamelessly copied elsewhere. 

The population never suffered any serious declines.  It has been stable around 12,000 for half-a-century. 

Madison is 25 miles from the nearest Interstate...but it was never bypassed.  This is another piece of good luck.  It was always a river town accessible first by water, then by rail, and finally by two lanes of blacktop.  



FAMOUS (Cairo IL)FAMOUS (Cairo IL)A popular history of this sad place is at



And then there's the third Ohio River city, Cairo IL (pronounced KAY-row), done in by White racism and a Black boycott that produced no winners.  (I oversimplify but that's the bottom line.)  Cairo's population has fallen by more than 80% in the past century.  Periodic floods and getting bypassed by the Interstates didn't help either.  

Of those who remain, 44% are below the poverty line.  A few years ago a local bank repossessed the Sheriff's patrol cars.  Most of what I photographed along Commercial Street is gone now, probably hauled off to a landfill.

Cairo is probably the worst-looking city I've seen in the USA, surpassing even Detroit and the place many Detroiters look down on: Flint MI.

Other places have been hard hit by other woes.  The pottery-making city of East Liverpool OH, along the Lincoln Highway, looked significant on the map.  But I was unprepared for the largely-vacant downtown.  And then there's mournful Depew OK, which still hasn't recovered since Route 66 bypassed it...back in 1928.

I've been positively surprised by Pittsburgh, Memphis, Salt Lake City and a host of smaller places like Ligonier PA, Minerva OH, Casey IL and Woodbine IA.  (They're all here in various galleries.)

Even some places clearly left behind appear to be at least putting up a good fight.

I was positively impressed by Denver decades before and was not disappointed recently.  The city gets a lot of things right, including free weekend parking and free shuttle-bus service along the pedestrian mall.

It seems to be a universal law: Get a good mix of people enjoying downtown (yes, including those in costumes!) and many urban problems will solve themselves.

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THE ALAMO #7 (San Antonio TX)THE ALAMO #7 (San Antonio TX)A linen postcard effect has been added.



Preservation can be a long and lonely effort.

San Antonio, where I photographed during Christmas weekend 2016, offers inspiration from a long-delayed preservation story, The Alamo, and a flood control project, the River Walk.  Both now seem so...obvious.  But they took decades to catch on.

"Remember the Alamo!" was used as a battle cry just six-weeks after the old mission fell to Mexican troops in 1836.  But physical preservation of the shrine to Texas independence took six-decades.  Meantime the scarred ruins served as an Army depot and wholesale grocery warehouse.  (The famous building above is the chapel, the entire complex included what is now this plaza and street--an irregular city block.)  

Today, more than 180 years after the famous battle, the site remains a work in progress.  There's tacky stuff right behind this vantage point and a bright sign desecrates the nighttime scene.

A couple blocks away is San Antonio's River Walk (Paseo del Rio), begun as a downtown flood control project after a deadly 1921 storm.  The original plan was for a paved sewer!  While that tragically awful idea was flushed, the river still languished until much later.  It became a success story of development more than preservation, demonstrating that the two can be complementary.



URBAN SCENE #32 (San Antonio TX)URBAN SCENE #32 (San Antonio TX)



The first riverfront restaurant, one floor below street level, opened in 1946.  But it wasn't until the 1960s that paved walking paths, lighting, landscaping and other elements of the good life (like Tex-Mex food) really began attracting locals, and then tourists, to enjoy the river.



URBAN SCENE #7 (San Antonio TX)URBAN SCENE #7 (San Antonio TX)



These two legendary sites came about from determined efforts by lone individuals with vision.  The Alamo can be traced back to Clara Driscoll and the River Walk to H. H. Hugman.  (Their stories are readily available on-line.)  The causes they fought for are today among the nation's top tourist attractions with millions of visitors a year.  San Antonio is lucky, because the rest of downtown is nothing special.

We can't save everything.  But I'm broadly sympathetic to preserving the best.  The River Walk, especially, shows that new construction can improve, redefine and reinvigorate the past.  I hope some images in the various city galleries here will help inspire local causes.   

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URBAN SCENE #31 (Lincoln Highway Denver CO)URBAN SCENE #31 (Lincoln Highway Denver CO)



Anyone expecting a documentary study of old concrete posts and Seedling Miles will be baffled by Lincoln Highway images from New York City and Denver, including edgy street photographs and an Anime + Cosplay convention.  And yet this is the Lincoln Highway today. 

Camera-equipped travelers of a century ago enjoyed seeing, photographing, and thus preserving transitory Lincoln Highway scenes of their time, and I'm no different.  

Take the photograph above from Denver, where a young Orange American is living out The American Dream.  His "Pursuit of Happiness" involves dressing up in his best plastic pumpkin-head, ill-fitting dark suit and sneakers, and going out with a leggy faux-blonde.  This is precisely what the Founding Fathers intended!  (Well, maybe not precisely precisely--but you get the point.)  

Important societal clues are documented here too.  The young woman is confident enough not just to claim--but to exclaim--through long flowing locks, that she is now officially blonde.  Liberated by Steinem, empowered by Friedan, lightened by Clairol, and heightened by Platforms, she steps out with an exaggerated stride and takes the lead. 

And what about the guy?  The shadow captures him (and their relationship) especially well.  His jacket is way too long, and his left sleeve is all bunched up.  He's a schmoe, a schlub...a man-child being dragged along by a dominant young woman. 

The Lincoln Highway can only gain from the attention and life they bring to it, and that's why this and other odd photographs are included.  They're also in the "Anime + Cosplay: Fantasy Worlds" gallery.  Participation in comic book and costume play greatly surpasses interest in this largely forgotten road, left behind by the same process that created Route 66. 

It's all enjoy the show! 

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RUSTY IN A REARVIEW MIRROR (Rt 66 Santa Rosa NM)RUSTY IN A REARVIEW MIRROR (Rt 66 Santa Rosa NM)Faded neon tubing creates a 66 in his eyes. See the Blog entry for the story behind this image that hid in plain sight for six decades!



Some images are offered only with an artistic treatment.  The original photograph is not shown.  Here to...uh...illustrate is Rusty the truck driver, the third image from the Home Page Slideshow.  

I had long wanted to bring this Santa Rosa NM truckstop mascot "to life" with a close-up showing his 1950s charm.  But the original shot languished in my files for 20 months.  It's a faded and rusted sign fragment taken in the shade.  Pretty dull stuff.

Rusty (my name for him) appears on both sides of this iconic sign.  On the often-photographed east side, neon on his face has been destroyed.  This shot is from the west side where much of the neon is intact, and where he faces left toward Rt 66. 

Using Photoshop on my shadow-free image, I defined the glass tubing against his faded metal skin a few inches away.  The result is very different from the original photograph, and I put it on the site as photo-based art.

I then wondered how Rusty would look in a car mirror--flipped horizontally.  Perhaps because I had been working close-up to highlight the neon, I was astonished to discover the 66 which had been unseen for six decades!  (On-scene, a rearview mirror would faintly capture this.)

Originally the "numbers" were reversed neon loops forming Rusty's eyes and eyebrows with sections between blacked-out.  The same tubing outlines his face and extends down to his chin.   

Artistic effects make this image work.  They bring out something that's real but not intended for viewing, and apparently never before photographed.

And my original?  It's back in the files where it belongs.  It's not much to look at...and everything's backward.

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JOHN'S MODERN CABINS #48 (Rt 66 nr Arlington MO)JOHN'S MODERN CABINS #48 (Rt 66 nr Arlington MO)



Over the years, several groups tried but failed to preserve privately-owned John's Modern Cabins along Rt 66 in MO.  In early 2014, well aware of these efforts, I joined the list. 

By then the location had become hopeless from neglect, but one idea still had not been explored: off-site preservation of some key elements.  While less than ideal, "some" beats "none" by precisely 100%.  

And so I offered the absentee owner cash for two signs and rights to harvest part of a cabin, all for display elsewhere along Route 66.  He would receive an immediate payment for the signed contract (I even supplied a stamped envelope)...or no payment if he continued to let things rust and fall down.  He chose the latter!

I'm out $2 or so for phone calls, postage, paper and envelopes, but if all life's failures had a guaranteed maximum $2 downside I'd gladly fail more often.

Interestingly, digital cameras offer a similar risk-reward profile if you take enough shots.  The cost-per-failure eventually approaches zero, and a success occasionally appears when you...push the envelope.

This image from John's is a successful failure.  Shot into the sun as a vertical, it originally included unnecessary flare, sky, trees, and foreground debris.  It was such an ugly and confusing mess that I went on to other images.  Months later I had another look.  Extensive cropping at top and bottom brought out this evocative shot. 

50 images of John's Modern Cabins may be overkill, but this place is vanishing.  Soon, failure will be a complete success.

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A westbound trip on the Mother Road can be a spiritual journey for those prepared to look beyond literal meanings.

John Steinbeck's Route 66 novel The Grapes of Wrath contains many possible Biblical links, according to scholars.  This material is readily available but has not crossed the boundary to Route 66 travel literature.  I can't find even a single passing reference to it!  This is called a "silo effect" and what follows is a first effort to break it down.  

Steinbeck was raised as an Episcopalian and his adult views on religion reflected a great deal of searching.  He was exposed to Biblical stories from an early age and used this material in his works.  Simply Googling Bible Grapes of Wrath novel produces a wealth of material from many different viewpoints.

Here are just two examples: the Biblical Job becomes Steinbeck's Joad family, and Jesus Christ is mirrored in preacher Jim Casy.  

A westbound trip can also recall the Crucifixion, traditionally pictured in a mountainous desert.  Jesus was on the cross up to six-hours according to some accounts.  That was a typical driving time from the Colorado River bordering AZ--until a return to life with a dramatic green-up as migrants neared the coast or Central Valley.  

These similarities, and many others noted by scholars, would have occurred to Dust Bowl refugees, at least subconsciously, as they struggled through in the 1930s.  Nearly all were raised as Christians and their experience made Route 66 unique among American highways.

Some of this appears in both the book and movie versions of The Grapes of Wrath.  But to my knowledge, no Route 66 road or tourism material mentions any of it, even in passing.  In 15+ books, many promotional publications, and travel websites The Grapes of Wrath is simply the saga of the fictional Joad family in the Dust Bowl.    

A westbound trip on today's Rt 66 with its dramatic changes near the end could take on a great deal of additional meaning for Christians, especially those who read and contemplate the novel.

This may read like veiled Bible-thumping but my religious views are not expressed here, I'm simply respecting the faith of others.  (And wouldn't it be nice if everyone did unto their brethren this way?  Amen and AMEN!)  Feel free to link or republish with attribution.  Government is properly barred from promotion of this kind, so the burden falls on individuals, associations, businesses, and religious groups.   

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LARIMER SQUARE-NIGHT #13 (Lincoln Highway Denver CO)LARIMER SQUARE-NIGHT #13 (Lincoln Highway Denver CO)                                                                                            


This site offers so-called "still" photographs, not videos.  Many travelers have posted their Route 66 trips on YouTube, Vimeo etc. and there are commercial travelogs available on DVD.  The same is true, to a lesser extent, of the other main subjects here.

I can't recommend any videos because I have only sampled a few.  I would however recommend old images, still or moving.  That world is gone and cannot be photographed today. 

Watching videos, I've frequently paused the "action" to stay on the better frames.  Unless every second is compelling, most action is simply the camera moving around, perhaps glimpsing a peak experience for a moment then immediately exchanging it for something inferior.

By contrast, still photographs can lock onto peak scenes and frequently motion too.  You could watch a ten-second video clip of this pedicab operator moving down the street, largely obstructed by cars, or enjoy this "Decisive Moment" artistically capturing the peak, and linger as long as you want.

Stills allow you to explore at your own pace and really get into a scene to pick up nuances--something you cannot do with a moving image.  You can also go back to see something again, then go forward as you please, perhaps skipping around.  Explore, enjoy, learn and understand. 

You're not in the grips of a narrator, a tour guide, or someone shooting hand-held home video and trying to sound coherent at the same time. 

And sampling old images of this scene (Larimer Square on the Lincoln Highway in Denver) would show it used to be skid row!  This was Denver's original retail zone in the late 1800s, but it went into a long decline and barely survived urban renewal in the 1960s.

It has since become the centerpiece of a vibrant downtown, bringing other good things with it--including nightlife, festive lighting, and pedicab rides.

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CLASS OF 1957 (National Road Knightstown IN)CLASS OF 1957 (National Road Knightstown IN)A private showcase or museum, it apparently is not open to the public. Also housed here are two Pontiacs, a Ford, T-Bird and Metropolitan--all 1957s.

The Blog entry "Unlikely Icon" examines how the 57 Chevy eventually got put on a pedestal. One example is right here.



We take on the cosmic questions here at

.  Why does burnt coffee cost $4 a cup?

.  How come (name of celebrity) is rich and famous--yet has no discernable talent?

.  Why has the 57 Chevy become an icon?                                                                      

The first two stump us--so let's take a stab at the third.

While rivals Ford and Plymouth offered all-new sheet metal for 1957, Chevy was peddling a re-styled 1955 car.  Because of its advanced age the 57 Chevy was taller and boxier.  And attempts to make it look new were odd.  The his-and-her hood ornaments.  That now-famous fin with chrome on the edge and (on some models) anodized aluminum on the side.

The 55 and 56 models had pubescent fins with tail lights on the top corner--a pleasing, logical arrangement.  But on the 57s, the fin was just sheet metal with a single light, way down next to the bumper.  The light was in a little chrome pod, all by itself...and looked to be frowning!  The combination was awkward at first glance, especially against the "clean" look of rivals.

Plymouth was the styling leader that year with a windswept design ending in towering fins.  Ford was low and modern with never-before-seen canted fins.

Chevy stumbled badly in 1957--and that makes what happened later so interesting!  For the model-year, Ford jumped to #1, Chevy fell to #2.  Plymouth soared from #5 to #3.  The earth moved under Detroit when all that happened.

On the basis of market share (which adjusts for changing economic conditions), the 55, 56 and even the 58 Chevy were bigger hits with the public than the 57.  So what happened to create iconic status today for a car that was a big disappointment at the time?

First, failures by the competition.  The Fords were attractive and "of-the-moment" but rusted out.  The even more attractive Plymouths also rusted out...if they didn't fall apart first.  They were some of the worst cars ever produced.  The Chevies lasted if they were reasonably maintained.  Many parts carried over from 55 and 56.

Second, wacky styling for several years afterward.  It would be 1962 before Chevy offered a clean design.  And longer still before anybody's family-hauler rivaled the tri-fives (55, 56, 57) in value, respect and loyalty.

The 57 Chevy looks much better in retrospect.  The design was odd then--but not today--because we're used to it.  We've seen the future, and it's nothing like what anybody envisioned in sheet metal or anything else.  Plus, unlike the main competition, it was a solid car.  Chevy delivered value that year.  To paraphrase William Faulkner: 57 Chevies did not merely endure, they prevailed. 

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                     BUMPER CAR (Rt 66 Sapulpa OK)



Route 66 is being homogenized, pasteurized and sanitized for mass-consumption, both here and elsewhere.  I hate to contribute any images to this dumbing-down of American history--although that's exactly what's happening (see above).

So now that Disney has opened its Rt 66-based attraction in California, here's a reality check to counter the pretty pictures (both still and animated).

Interstate highways, fast food joints, and chain motels condemned today for their boring sameness are actually improvements.  We wanted them, we needed them, we got them, and we're better off for them.

Consider the realities of Rt 66 in, say, your new 1957 Chevy:

.  Many narrow and twisting two-lane sections were known as "Blood Alley."

.  The guy coming at you might be legally drinking and driving.

.  Nobody had seat belts, air bags, or other protection.

.  You sat on a bench seat without air conditioning or cruise control.

.  Open windows brought in noise, dust and insects.

.  Trucks and Greyhound buses filled oncoming lanes to the brim.

.  A good (but hard) day might be 300 miles.

Nostalgic yet?  But wait, there's more...

.  Although gas stations were branded, clean restrooms--or competent repairs--depended entirely on the owner.

.  Every restaurant was different--likely run by a local operator.  Every food stop required due diligence, first outside then inside (and a tip was expected).

.  Every motel was a one-off, requiring you to scrutinize the sign, then inspect the room, and finally haggle over the rate.

Today's self-service gas pumps, McDonald's and even Motel 6 actually represent improvements.  If not, they wouldn't have spread.  I value them for their efficiency if nothing else.  I wouldn't want to go back in time--and have to stay there. 

Route 66 makes for a great (and multiple-day) theme park experience, minus expensive tickets and long lines.  It's wonderful to enjoy the Mother Road...without trucks, Greyhounds, congested downtowns, leaded gasoline fumes, unpredictable food and bad motels.

In other words: without all that ugly reality!

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Route 66 has its own Monument.  Made from steel, it's on the Mother Road in front of the Convention Center in Tucumcari NM:


                                        ROADSIDE ATTRACTION AT SUNSET (Rt 66 Tucumcari NM)



That's sculptor Tom Coffin's interpretation of a Chrysler Corporation fin...perhaps a 1958 DeSoto.  GM and Ford never had fins like this.

You rarely see late 50s Chrysler products (Plymouth, Dodge, DeSoto, Chrysler and Imperial) at Route 66 car shows.  They sold just fine, except for Imperial, but they were poorly-engineered rust-buckets.  The Walter P. Chrysler Museum outside Detroit tacitly admits this on an overhead sign illustrated with a '56 DeSoto:





Some sacrifice indeed!  The 57s were a rush job and hadn't been properly engineered.  Other accounts have these cars intended for 1959 or even 1960! 

When sales boomed, quality control suffered with assembly lines and suppliers running flat out.  The company paid a price--and buyers paid even more.  There was plenty of "sacrifice" to go around: 

"The 1957s started to rust within several months of being built--all models, Plymouth to Chrysler.  They leaked water on both sides of the windshield posts on all models.  Torsion bars broke leaving cars looking like fallen over Towers of Pisa.  Upholstery split, seams tore, seat springs popped through, paint flaked off in huge chunks, hubcaps wouldn't stay on, rear view mirrors vibrated, door handles broke with ease, locks froze easily, and interior appliances fell off."  

--Curtis Redgap, Insider's History of Plymouth

This was an extremely short-sighted business decision, and a Tipping Point in American business.  Up till then, Chrysler had been known for solid engineering and boring styling.  But suddenly, the sizzle became more important than the steak.  The company's absolute top car for 1954, a Chrysler New Yorker Deluxe, is at left, while the entry-level Plymouth's top model, the Fury, is from 1957: 





Fins didn't last, but Chrysler's new-found reputation for problems did.  Warranties were only 90 days/4000 miles back then--but all the claims helped push Chrysler deep into the red for 1958.  Chrysler--always the swing producer--was in trouble again:

"The biggest problem is that (the 57 Plymouths) were the worst cars Chrysler ever made.  Quality was terrible so every car they sold made an enemy instead of a friend."  --Dave Holls, "Collectible Automobile"

Chrysler has had several boom-and-bust cycles and near-death experiences since then.  Lots of forgettable-or-worse vehicles too: Aspen, Volare, Aries, Reliant, Omni, Horizon, St. Regis, Sebring, Intrepid.  (Intrepid?!) 

Plymouth, #3 in 1957 behind Ford and Chevy, is gone now.  And we can't forget DeSoto either: The Fireflite, Firesweep and Firedome were all burnt toast by 1960 as the brand was extinguished.  

The fins that have come to symbolize Route 66 and "America at the top of its game" actually tell a very different...and very sad...tale.  One era had ended and another was underway.  From Value to Planned Obsolescence.  Steak to Sizzle.  American Steel to Rust-Bucket. 


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Maybe you'd like an existing clothing image...but with a special caption for your group's Route 66 tour or some other occasion.  Or maybe you're a Route 66 group, association, or business in need of special merchandise.     

All existing T-shirt images can be custom-captioned.  This version can then be listed on the site, ordered by your members, even bulk-shipped for a larger order.  The custom-caption is also available for sweatshirts, tanktops, mugs and other merchandise.

Custom-captioned merchandise is available at regular prices...without a captioning fee!  Wear custom T-shirts during your Route 66 trip...and continue the bonding experience with custom sweatshirts and coffee mugs for use back home next winter.  Remember our motto: "A Group Ordering Sweats Together, Sticks Together!"

Custom-captioning is available now for 2017, 18, 19 and 20 trips.  Use the "Contact" feature at bottom to send an e-mail with your group's name and trip info.  There is a minimum order of ten items (in any combination) for custom-captioning.

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A Google search for this phrase on September 17, 2011 finds a single result--this website--so I'm assuming it's original.  I like it for the momentary confusion it causes before someone realizes: "Oh yeah, it's like a sports score of 66-0.  The Interstate can't compete because it doesn't have scenery."

I'm using "Route 66, Interstate 0" on several Tee-shirts but won't seek trademark protection.  The phrase is available to any Mother Road organization that wants to use it in promotions. 

Earlier versions of this idea come from novelist John Steinbeck in 1962 and journalist Charles Kuralt in 1990.  Their very similar quotes are about driving the Interstates without seeing anything.   A great summary is at  (Thanks to Richard Weingroff)    

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Some things on look better than you will see them on a typical Route 66 trip.

Take "USA Steel & Rust" from the opening slideshow.  Captioning indicates this was taken in strong sunlight after rain.  Directional sun creates all-important shadows, moisture creates deep coloring in the metal.  On an ordinary day, in ordinary light, the 1929 steel is almost as dull as the paint.  And letter "U" is very hard to spot without the shadow.

Many good photographs, both here and elsewhere, take advantage of unusual lighting and/or weather conditions.  Many are made within an hour of sunrise or sunset, even if the sun is not in the image.  Mid-day in mid-summer, the peak of Route 66 travel, is generally the worst time for photography--especially from OK westward.  There's just too much sun! 

Some scenes change over time or disappear.  Take an extreme case--the Sidewalk Highway around Afton and Narcissa OK.  During 2011 two things happened: (1) A lovely stone marker was installed describing the pavement's historic significance and (2) Nearly all the historic pavement was buried under dirt and stone, plus crude grading tore up chunks of original asphalt! 

So enjoy the pretty marker...because the Sidewalk Highway is now largely a dirt road.  (Two images on were made before the desecration, and "Traffic on Sidewalk Highway" shows a short remaining paved section.)

In a more typical example, the 1949 Nash Airflyte that's the opening thumbnail for the "Rusted & Busted" gallery got hauled away.  So is now inadvertently promoting something that's no longer there.  Other things fall down, get demolished or fenced off.  Some even get painted!  It's impossible to keep up with all of it.

So the plea is "Guilty, With an Explanation" for showing Route 66 and other locations better than you will likely see them.  This is neither fair nor balanced...but it can't be helped.